Ibanez NSC10 Fiche technique télécharger pdf (Page 8)

Sometimes it’s best to keep it simple. Which is why, in

a world of dizzying often over-complex technology, the

durable, dependable and simple stompbox continues to

be the most widely used and effective means to expand,

color, distort, mutate, sustain and twist tone.

When you look over stompbox-loaded pro rigs featured in the

guitar mags, you’ll ﬁnd few that don’t feature a Tube Screamer

of one sort or another–one of the reasons the original Tube

Screamers fetch such high prices. You don’t need to shell

such big bucks to get the same effect. Our handwired TS9 and

TS808 reissues recapture with complete accuracy the classic

tones of the originals. And our machine-wired Tone-Lok TS7

provides the same famous overdriven Tube Screamer tones

for a fraction of the price.

But our compact effects go far beyond ov erdrive.

Between our handwired Nine Series reissues like the

venerable CS9, FL9 and AD9 and the vast assortment

of Tone-Lok pedals, you can create or lay waste to any

sonic landscape you can imagine.

COMPACT

EFFECTS

AD9 analog delay

“I tested the AD9 reissue using Victoria, Soldano

and Mesa amps and found its tone and overall

performance spectacular. When adjusted

properly, the AD9 creates natural reverb-like

echo that strikes just the right blend of warmth

and precision. Even when I ran my amps loud

and clean, proper settings of the AD9 yield

sweet repeat and decay characteristics that

sound like an extension of the cabinet and

ampliﬁer rather than the result of an outboard

device. It works its charm for signiﬁcantly less

than the cost of a rackmount analog delay,

yet sounds every bit as good.”

TS808 the original tube screamer

“Ah, the Tube Screamer. Has there ever been a stompbox more revered

than this puke green masterpiece? Methinks not. The reissue pedal

makes it easy to hear why players–particularly blues cats–go cuckoo

for the 808. Rather than slam your ampliﬁer’s front end with copious

amounts of gain, the TS808 gently coaxes a warm overdrive that is

more tube-like than many pedals that sport tubes.”

FL9 ﬂanger

“Flanging is a form of phasing that creates a

linear harmonic response across the audio

spectrum. The result is a swooshing that, at its

most extreme, recalls the sound produced by

a passing jet. I was promptly addicted to the

FL9’s airy ﬂanging, which rode the frequency

of my sustained signal like a surfer riding the

crest of a wave. As with the other Nine

Series pedals, the FL9’s effect never interfered

with the response of my original signal

and remained clean and pure.”

CS9 stereo chorus

“Chorus is one of th e guitarist’s mos t

commonly used effects for its ability to

double and thicken tone, as well as create a

stereo picture from a mono source. I split

the CS9’s output between two Fender com-

bos and marveled at its ability to create

elaborate and lush tones that were never

mushy or weak. The CS9 was equally good

at creating subtle enhancemen ts that

would define a guitar within the mix.”

TS9/TS9DX tube screamers

Both our TS9 Tube Screamer reissue and TS9DX Turbo Tube Screamer

feature the TA75558 chip used in most of the original TS9’s with the

TS9DX adding three settings for increased low-end crunch.

Above excerpts from Guitar World review article, “Ibanez Nine Series Resissue Pedals,” January 2007. (“Victoria,” “Sol-

dano”, “Mesa,” and “ Fend er” name s re fere nced within the review are tra demarks of their respec tive owners.)

“Stompbox Fever ”TS808 Review (Awarded Editors Pick) Guitar Player magazine, June 2004

TS9

Winner of Guitar Player magazine Readers’ Choice Award

Best Stompbox 2004

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