Ibanez NSC10 Fiche technique télécharger pdf (Page 9)

An amazingly versatile pedal. The CF7 creates whooshing jet

plane sounds, shimmering soundscapes and contemporary

chirps and blurbs. Classic chorus and ﬂanger effects in the

NORMAL mode…or totally insane modulation sounds in the

WHACK’D mode. Like getting four pedals in one.

The most versatile Ibanez distortion pedal ever, capable of

producing a wide range of smooth, dynamic overdrive tones.

From a subtle tonal nudge to walloping rock n roll crunch, the

DS7 delivers days of sustain and gobs of gain.

The most affordable version of the most famous pedal in the

world! The TS7 offers the classic subtle-but-smooth Tube-

screamer overdrive that expands your guitar’s expressiveness

while maintaining its tonal integrity and your personality.

Includes added “hot” switch for an extra gain boost.

TS7 Tubescreamer

DS7 Distortion

CF7 Chorus/Flanger

With the FZ7’s Tone, Drive and Level controls, it’s never been

easier to get the right retro fuzz tones. You can even engage the

DAMAGE switch for the perfect ratty broken speaker sound.

FZ7 Fuzz

This popular Tone-Lok pedal offers 30ms to 2.8 seconds of

delay with the best of both worlds: high tech digital or warm

vintage tape echo sounds–all with a ﬂick of a switch. Stereo

outputs can be used for an even more spacious sound.

The most aggressive weapon in the Tone-Lok distortion

arsenal. Features obscene amounts of gain, tight low-end and

searing highs for the deﬁnitive heavy rock sound. VOID noise

gate and EDGE controls offer everything from all-out shred to

machine gun metal riffs and rhythms.

SM7 Smash Box

Designed to emulate the effect of a rotating speaker, the PH7 has

a switchable phase circuit capable of either four or eight stages

of smooth phasing. With these two very different tonal modes, you

can go from a subtle shimmer to all-out ‘70s funk phasing.

PH7 Phaser

DE7 Delay/Echo

The ultimate auto-wah for bass features full analog circuitry

for rich tones and real time feel so there’s no annoying

tracking error or delays. You can even play chords.

The AW7 not only has the standard wah where both highs

and lows are cut, it also features a setting with just the highs

cut–plus the AW7 has distortion. A Band Pass Filter provides

the sound of a wah left at one setting and you can change the

wah/distortion effects order for different sounds.

The first dedicated filter pedal for the guitar. Voltage con-

trolled analog high and low pass filters allow you to emulate

transistor radio and megaphone-style sounds. Best used at

the end of a signal chain, the LF7 performs equally well

with vocals, drum machines or in any “mix down” context.

LF7 Lo FiAW7 Autowah

SB7 Synthesizer Bass

With three different pre-amp style settings, dialing in a thun-

derous bass sound has never been easier. The PD7 is loaded

with growling low-end distortion, but you can even use it as

an outboard EQ on the CLEAN mode.

PD7 Phat-Hed Bass Overdrive

Three waveforms give you everything from classic phaser to DJ

effects to ray gun sounds. The three different modes offer

vintage, deep and dry, or deep and pronounced. The PM7 goes

from traditional to 21st century phasing and beyond.

PM7 Phase Modulator

On the outside, Tone-Lok effects are equipped with our exclusive “set and forget” Push-

Lok rotary pots. Push the knobs down and your tone settings lock securely inside the case.

No more lost settings or knobs broken.

On the inside, Tone-Lok pedals feature hi-fidelity components carefully tweaked with the

constant input from a new generation of Ibanez players. And all this great stuff comes

encased in cool looking, road-tough metal boxes at prices the working player can afford.

Guitar Player magazine Editors’ Pick Award

a. Spring Tension

Adjusts the tension of the

footboard return-spring in

the AUTO SWITCH mode.

b. Pedal Friction

Turn clockwise for more

footboard resistance; counter

clockwise for a looser feel.

c. Footswitch

Allows on-off switching of the ef-

fect independent of the footboard

when the MODE LEVER is in the

FOOTSWITCH Mode.

e. Auto-Off Delay

In the AUTO SWITCH mode, you

can set the effect-off either on

standard instant-off when the

pedal is returned to the full up-

right position or a delayed-off by

turning the control clockwise.

f. Range

f1. RANGE SWITCH for switching

between LOW and HIGH

frequency response.

f2. RANGE FINE TUNING allows ﬁne

tuning within either the LOW and

HIGH RANGE SWITCH settings.

d. Mode Lever

Changes the mode so the

effect can be turned on and

off with the FOOTSWITCH

(f) or with the AUTO SWITCH

(effect turns off when pedal

is in the upright position).

d1. AUTO SWITCH Mode

d2. FOOTSWITCH Mode

The most variable and controllable

guitar wah you can get. The Weeping

Dem o n’s shrieks, cries, wails

and seductive siren songs will

have your audien ce

screaming for more.

The Weeping Demon

features spring and

normal footboard ac-

tion, selectable wah

range, fine tuning

controls and more.

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Ibanez NSC10 Fiche technique Page 9

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